aukor: working with others
engineers
architects
general contracts, sub contractors
historians
artists
client
design practices:
typology-
hospitality
healthcare
retail
general commercial
institutional
ecclesiastical
design practice, programming, computer presentation drawings, historic preservation
process work: how to evolve a project; keep it
programming: basic criteria a client wants to have happen; programming portion extensive
-your design wil be shown different types of methods (tabulate, document etc) you will decide which works best for you. apply to the design; about what you perfer
*your design is only as good as the information you extract from the client*; you prompt them to tell you things; they don't always know what they want
how do we communicate it?
-ALWAYS been verbal or written narrative
-graphically: NOW, with drawings, models, types of mechanical progress, (later: digital progress); more techincal as you go along
historic preservation:
building that have historic nation register, tax credits for cuts
-historic reuse: (remodel) adaptive hisotric elements and items to keep but not to preserve but to adapt it
*ex: downtown LN Railroad depot- special magnet high school; cultivate 9th graders to engineering
-historic preservation: restoring it to it's former grandeur
Sax's; historical infulence
political, physical, social influence at the turn of the century that influenced design
-industrial revolution
-global warming
-bau hause
-war (WWII)
-reduction of the carbon foot print
Mary Beth
-not all about the looks; can be both pretty and functional & safe
environmental details; contribution of interior design to contemporary society
-materialism
-able to influence psychological considerations and client's emotions and feelings through: acoustics; functional (for personalization, digital accessibility); making spaces more pleasant; thermally; lighting;
-life saftey codes, ADA compliant (signage- universal design)
-as a profession more than what we do; community, charitable events (habitat humanity)
Proximixs:
interrelated observations and theories of peoples use of space as a specialized elaboration of culture
-space planning; NO NO NO NO: chairs back to back; 3 seat couches in a public space
residential:
kitchen: work triangle- not too close or far away; conversational or tv area; bathroom
Klinkheimer: Color and Light
-color stimulation:
warmer, dark loud reds, oranges:
healthcare application: loud weird colors reflect onto patient; no distorting a patients true color
darker colors: makes room smaller; lighting & mirrors can expand space
long corridors: trick eye to make it foreshortened; dark color at end
dark colors with a light to make small space elongated; contrasting colors can be successful ;)
*rational reasoning*
Wednesday, November 17, 2010
Monday, November 15, 2010
review and debate monday
modern movement 1920's
minimalists; austere
-only using what you have to
Wassily Chair 1919
industrail revolution
-mass production
Minimalist vs.Victorian
-reactions to the other
-victorian age: wall covering, gaudy patterns
-into minimalist- return to the essentials
Victorian vs
Minimalist
----------------------------------------
effects on interior design
-culture
-tradition
-economy
-current style & fashion
amish & shakers
-bringing the function into the space; space/room isn't labeled
japs
-design based on politics, tradition
muslims, arabs
-design based on religion; mosileum space
-ceilings too low; depressing
americans
-design based on $
-low income housing
-cultural stoop or porch- creates neighbors, community
minimalists; austere
-only using what you have to
Wassily Chair 1919
industrail revolution
-mass production
Minimalist vs.Victorian
-reactions to the other
-victorian age: wall covering, gaudy patterns
-into minimalist- return to the essentials
Victorian vs
Minimalist
----------------------------------------
effects on interior design
-culture
-tradition
-economy
-current style & fashion
amish & shakers
-bringing the function into the space; space/room isn't labeled
japs
-design based on politics, tradition
muslims, arabs
-design based on religion; mosileum space
-ceilings too low; depressing
americans
-design based on $
-low income housing
-cultural stoop or porch- creates neighbors, community
your opinions and what you prefer is not usually
utilized in design. you are doing it for SOMEONE ELSE;
keep in mind
Friday, November 12, 2010
friday friday friday
Value?
-help change and shape the world-
-to design something that will function, fulfill someone's needs, safe and secure
what can cause stressful interior environments?
-lighting; color
-manipulation of space
-noise, acoustics
-temperature
how we feel things?
-eyes and skin
experiencing spaces?
-disney land
ex: pirates of the carribean ride
-helping people experience another environment through lighting, space and teperature
got a little bored....
sociofugal:
fixed, inhibit social connection because they are fixed
-organized in a space,
-more of these spaces
-space keep people apart
-workers:easier to get work done, easier to clean up and stay organized
sociopedal:
comfy space, able to move furniture around, increased social interaction
-variety of opportunities for interaction
-help change and shape the world-
-to design something that will function, fulfill someone's needs, safe and secure
what can cause stressful interior environments?
-lighting; color
-manipulation of space
-noise, acoustics
-temperature
how we feel things?
-eyes and skin
experiencing spaces?
-disney land
ex: pirates of the carribean ride
-helping people experience another environment through lighting, space and teperature
got a little bored....
sociofugal:
fixed, inhibit social connection because they are fixed
-organized in a space,
-more of these spaces
-space keep people apart
-workers:easier to get work done, easier to clean up and stay organized
sociopedal:
comfy space, able to move furniture around, increased social interaction
-variety of opportunities for interaction
Wednesday, November 10, 2010
history and theory of interior design
avigail: speaking hebrew
built environment from the architecture point of view
connection between history and design
design is taking ideas about what interior design and the world is but what you think about what the clients want; what is already or what could be or should be and giving it shape. understand history is looking at the other direction; my ideas and to look at the backwards idea- understanding what they thought about. understand what other people have said and what i have said- what should i think and have an opinion about. take historical examples and talk about their ideas. opportunity to think about what designers in the past have thought about; helps us understand what our ideas are.
ask as a historian
-when were they designed; what happened in these 15 years
why is it so different?
- people are influenced trough talk, scientific, art work, other designers: they were represented by individual interests and wider ideas about what design is about
Mies 1929
-main modernists in design; early 20th cenutry worked in europe and looked around the world- felt like hte world had changed drastically from what it had been before: mass production vs hand work, industrial revolution
-design must be repsonsive to this
-machine age: design both exterior and interiors should respond and manifest these changes
-people were unerstanding physics; people were developing bc of new materials that werent avaible before
-space: how do you organize it, think about, comes together
-take ideas and transform them into something physical
-design the pavilion for Germany in Barcelona
-space can be experienced by moving though it
experience space, germany was looking forward and responding to the future
-success: beautiful space, experiencing space
-walk outside but still have the comforts of interiors
-barcelona chair
-bringing it down to the essence of a line; every thing was thought out
Bauhaus:
Walter Gropius
-closed down in 1933; Mies director at the end of its life
-transparency; connection between spaces inside and outside
-meticulous detail
Chicago; Illinois Institute of Technology
-developing a system to represent the world, interior design and architecture as the way it should be
-curtain wals: connection between inside and outside
-machine like way: rationally organized
Farnsworth House 1945 (after WWII):
-she had hired him because he had developed this idea
-weekend-house surrounded by trees; take and design perfect space to represent clearly
-2 horizontal planes, closed off with glass planes: simple program
-he was not in touch with what the client wanted; good for people who were engaged with design
Robert Venturi 1978
Complexity and Contradiction in Architecture
-15 years after Mies finishes Farnsworth House
-lost the beauty of arch and id. in trying to make them too organized, radical undertsanding of place: sometimes things are contradictory and don't make sense
-making sense of the world and machinery: Mies
-contradictions are okay
-in trying to look ahead at the future and represent the new world; we've cleaned out tradition and history
-abstract ideas: las vegas the srtip mall: we can see what people are really interested in
-signs, interiors of casinos: Learning from Las Vegas (denise scott brown, steven lzenour)
-in modernist design: clear, obvious: no longer made sense:
Venturi :
-Sheraton Chair
Venturi Hosue Chesnut Hill 1962
symbolizes and looks like a:
pitched roof, cornice, windows where needed, chimney like; facade- doesn't always have to make sense
-this is what people like: complexity, contradiction, references to historic things: comfortable, represent a long standing idea
-post modernism: familiar, tradition, culture
-direct references to history
-purposefully knowing and understanding tradition; play around with its ideas
-straight forward symbols
where does this leave us?
these 2 designs are still very much a part of our culture.
post modernism was a result of modernism.
modernism: importance of a system, create clarity
post modernism: celebrating complexity, contradiction
what is your client interested in? what kinds of things are you interested in?
is symbolism okay or referring to other things or people?
how might you use things to reference?
be aware of how different people made their ideas into concrete things; these are inspirations for your designs.
built environment from the architecture point of view
connection between history and design
design is taking ideas about what interior design and the world is but what you think about what the clients want; what is already or what could be or should be and giving it shape. understand history is looking at the other direction; my ideas and to look at the backwards idea- understanding what they thought about. understand what other people have said and what i have said- what should i think and have an opinion about. take historical examples and talk about their ideas. opportunity to think about what designers in the past have thought about; helps us understand what our ideas are.
ask as a historian
-when were they designed; what happened in these 15 years
why is it so different?
- people are influenced trough talk, scientific, art work, other designers: they were represented by individual interests and wider ideas about what design is about
Mies 1929
-main modernists in design; early 20th cenutry worked in europe and looked around the world- felt like hte world had changed drastically from what it had been before: mass production vs hand work, industrial revolution
-design must be repsonsive to this
-machine age: design both exterior and interiors should respond and manifest these changes
-people were unerstanding physics; people were developing bc of new materials that werent avaible before
-space: how do you organize it, think about, comes together
-take ideas and transform them into something physical
-design the pavilion for Germany in Barcelona
-space can be experienced by moving though it
experience space, germany was looking forward and responding to the future
-success: beautiful space, experiencing space
-walk outside but still have the comforts of interiors
-barcelona chair
-bringing it down to the essence of a line; every thing was thought out
Bauhaus:
Walter Gropius
-closed down in 1933; Mies director at the end of its life
-transparency; connection between spaces inside and outside
-meticulous detail
Chicago; Illinois Institute of Technology
-developing a system to represent the world, interior design and architecture as the way it should be
-curtain wals: connection between inside and outside
-machine like way: rationally organized
Farnsworth House 1945 (after WWII):
-she had hired him because he had developed this idea
-weekend-house surrounded by trees; take and design perfect space to represent clearly
-2 horizontal planes, closed off with glass planes: simple program
-he was not in touch with what the client wanted; good for people who were engaged with design
Robert Venturi 1978
Complexity and Contradiction in Architecture
-15 years after Mies finishes Farnsworth House
-lost the beauty of arch and id. in trying to make them too organized, radical undertsanding of place: sometimes things are contradictory and don't make sense
-making sense of the world and machinery: Mies
-contradictions are okay
-in trying to look ahead at the future and represent the new world; we've cleaned out tradition and history
-abstract ideas: las vegas the srtip mall: we can see what people are really interested in
-signs, interiors of casinos: Learning from Las Vegas (denise scott brown, steven lzenour)
-in modernist design: clear, obvious: no longer made sense:
Venturi :
-Sheraton Chair
Venturi Hosue Chesnut Hill 1962
symbolizes and looks like a:
pitched roof, cornice, windows where needed, chimney like; facade- doesn't always have to make sense
-this is what people like: complexity, contradiction, references to historic things: comfortable, represent a long standing idea
-post modernism: familiar, tradition, culture
-direct references to history
-purposefully knowing and understanding tradition; play around with its ideas
-straight forward symbols
where does this leave us?
these 2 designs are still very much a part of our culture.
post modernism was a result of modernism.
modernism: importance of a system, create clarity
post modernism: celebrating complexity, contradiction
what is your client interested in? what kinds of things are you interested in?
is symbolism okay or referring to other things or people?
how might you use things to reference?
be aware of how different people made their ideas into concrete things; these are inspirations for your designs.
Monday, November 8, 2010
color and light
what is llight?
-light is a form of radiant energy
-visible part of the electromagnetic spectrum
-come in different wave lengths; each one is percieved as a different color
Sir Isaac Newton
7 different hues; in a specific order; ROYGBIV
-without light there is no color
WHITE
-contains every color of light
ex: Sunlight
light sources
-do not contain equal amounts of color
-dramatic or subtle: depends on spectral distribution
Electric light sources
-uneven spectral distribution
-incandescent light sources have warmer temperatures; more red, oranges; less blues
light sources and color in interiors
-both daylight and artificial light sources have an impact on color interiors
ex:
incandescents: warmer
sunlight:
florescent: colder
Daylight: true white light; what we compare all artificial sources to
-as dayligt changes throughout the day so the surfaces changes; however, the color is still recognizable
balanced light: warmer in late afternoon, bluer during midday
orientation: north daylight: less red, orange and yellows; cold-looking- reliable for color matching
afternoon sun: gives glow (shade and shadows) of interiors
Light Color Measurement:
describe or measure the color of light sources:
1. Color temperature
-describes the apparent color of a white light source
-visual temperature, not a physical temperature
2. CRI-color rendering index
-higher CRI; more natural colors will appear
-electric is rated 1-100
3. SPD- spectral Power Distribution
-plots the amount of natural daylight
light color in interiors:
-use warm light sources in interiors with predominantly warm colors
-areas with natural light: best with warm light sources
- dont mix warm and cool sources
Blue:
calming, restful, serene
-reduce heart rate, respiration rate and blood pressure
blue, green:
both warm and cool
-retiring, tranquil, neutral, quiet
yellow:
expansive, vibrant, sun and light
-cheerful, high spiritited
-flood into space in outdoor spaces
-light is a form of radiant energy
-visible part of the electromagnetic spectrum
-come in different wave lengths; each one is percieved as a different color
Sir Isaac Newton
7 different hues; in a specific order; ROYGBIV
-without light there is no color
WHITE
-contains every color of light
ex: Sunlight
light sources
-do not contain equal amounts of color
-dramatic or subtle: depends on spectral distribution
Electric light sources
-uneven spectral distribution
-incandescent light sources have warmer temperatures; more red, oranges; less blues
light sources and color in interiors
-both daylight and artificial light sources have an impact on color interiors
ex:
incandescents: warmer
sunlight:
florescent: colder
Daylight: true white light; what we compare all artificial sources to
-as dayligt changes throughout the day so the surfaces changes; however, the color is still recognizable
balanced light: warmer in late afternoon, bluer during midday
orientation: north daylight: less red, orange and yellows; cold-looking- reliable for color matching
afternoon sun: gives glow (shade and shadows) of interiors
Light Color Measurement:
describe or measure the color of light sources:
1. Color temperature
-describes the apparent color of a white light source
-visual temperature, not a physical temperature
2. CRI-color rendering index
-higher CRI; more natural colors will appear
-electric is rated 1-100
3. SPD- spectral Power Distribution
-plots the amount of natural daylight
light color in interiors:
-use warm light sources in interiors with predominantly warm colors
-areas with natural light: best with warm light sources
- dont mix warm and cool sources
Blue:
calming, restful, serene
-reduce heart rate, respiration rate and blood pressure
blue, green:
both warm and cool
-retiring, tranquil, neutral, quiet
yellow:
expansive, vibrant, sun and light
-cheerful, high spiritited
-flood into space in outdoor spaces
Friday, November 5, 2010
different cultural architecture
"If you like a hot glue gun, get out there and do it." -Jeffy Geren
-make an impact on these designs
-you don't have to go to a different country to seek cultural differences, since the middle 1800's melting pot of cultures
-niches: of different cultures- Detroit: Muslim, El Paso: Mexican
is this important? -the meat and potatoes-
is this important to what you want to do?
- is this a passion?
-it is a means to an ends to do something good with your life
-what gives you an opportunity to help people, help the world
-may not be the answer to the worlds questions, but its more than just designing a beautiful space; its more about how can I design something to be functional and aesthetic: product design
- its important to what we do
- its not all about "fantastic", it's bettering the environment, the world around you, and the way people experience it
-functional, sustainable
-stay away from materialism
cultural architecture
-if you went to japan and did a design project, you must think about the cultural differences of people, understand and acknowledge these difference-make an impact on these designs
-you don't have to go to a different country to seek cultural differences, since the middle 1800's melting pot of cultures
-niches: of different cultures- Detroit: Muslim, El Paso: Mexican
is this important? -the meat and potatoes-
is this important to what you want to do?
- is this a passion?
-it is a means to an ends to do something good with your life
-what gives you an opportunity to help people, help the world
-may not be the answer to the worlds questions, but its more than just designing a beautiful space; its more about how can I design something to be functional and aesthetic: product design
- its important to what we do
- its not all about "fantastic", it's bettering the environment, the world around you, and the way people experience it
-functional, sustainable
-stay away from materialism
Thursday, November 4, 2010
Dave Matthews and Wednesday
Different types of interior design:
interior design is not limited to a firm. Interior design has many different outlets.
-Residential:
for a specific audience; their taste
-takes a different attitude towards the client; on a personal level
-personal and diferent relationship becuase you are working on a one-to-one basis
-commercial design and clientele can lead to residential design
-the interaction between client and designer is extrodinarily personal
-other personal issues can arise from the personal level
-Commercial: office- Iorgroup, healthcare, government vs. local
when specializing:
-healthcare: it is a team of people getting the credit and executing NOT just one designer; signage is important
-don't compare commercial furnishings and residential furnishings: more people are using commercial furnishings so they must wear and tear better and last longer
-Spiritual, retail: lighting design; Luminart- it is a
technical and design success
-Prime Design: -Mill Work Group
-detailing; woodwork, laminate work
-furniture maker
-visual merchandising
-window displays
-exhibit designs
-museum scapes
-telling stories through designs
-interior designer acts as a narrator
-historians educate so designer can write and tell stories to all age groups
-trade shows
-3D computer modeling
-designing booths for companies
-design graphic interiors
Virtual Environments:
-anytime there is an interior you have the potential to design it
**designing is partly what you want and what the economy allows nd demands**
Wednesday:
Jeff answered odds and end questions. The most important thing that stood out to me was this: a design is only as good as what you can extract from your client. We also decided that every designer thinks that HGTV is a disgrace to licensed interior designers.
interior design is not limited to a firm. Interior design has many different outlets.
-Residential:
for a specific audience; their taste
-takes a different attitude towards the client; on a personal level
-personal and diferent relationship becuase you are working on a one-to-one basis
-commercial design and clientele can lead to residential design
-the interaction between client and designer is extrodinarily personal
-other personal issues can arise from the personal level
-Commercial: office- Iorgroup, healthcare, government vs. local
when specializing:
-healthcare: it is a team of people getting the credit and executing NOT just one designer; signage is important
-don't compare commercial furnishings and residential furnishings: more people are using commercial furnishings so they must wear and tear better and last longer
-Spiritual, retail: lighting design; Luminart- it is a
technical and design success
-Prime Design: -Mill Work Group
-detailing; woodwork, laminate work
-furniture maker
-visual merchandising
-window displays
-exhibit designs
-museum scapes
-telling stories through designs
-interior designer acts as a narrator
-historians educate so designer can write and tell stories to all age groups
-trade shows
-3D computer modeling
-designing booths for companies
-design graphic interiors
Virtual Environments:
-anytime there is an interior you have the potential to design it
**designing is partly what you want and what the economy allows nd demands**
Wednesday:
Jeff answered odds and end questions. The most important thing that stood out to me was this: a design is only as good as what you can extract from your client. We also decided that every designer thinks that HGTV is a disgrace to licensed interior designers.
Tuesday, November 2, 2010
both sides
Bows and flows of angel hair and ice cream castles in the air
And feather canyons everywhere, i’ve looked at cloud that way.
But now they only block the sun, they rain and snow on everyone.
So many things i would have done but clouds got in my way.
I’ve looked at clouds from both sides now,
From up and down, and still somehow
It’s cloud illusions i recall.
I really don’t know clouds at all.
Moons and junes and ferris wheels, the dizzy dancing way you feel
As every fairy tale comes real; i’ve looked at love that way.
But now it’s just another show. you leave ‘em laughing when you go
And if you care, don’t let them know, don’t give yourself away.
I’ve looked at love from both sides now,
From give and take, and still somehow
It’s love’s illusions i recall.
I really don’t know love at all.
Tears and fears and feeling proud to say “i love you” right out loud,
Dreams and schemes and circus crowds, i’ve looked at life that way.
But now old friends are acting strange, they shake their heads, they say
I’ve changed.
Something’s lost but something’s gained in living every day.
I’ve looked at life from both sides now,
From win and lose, and still somehow
It’s life’s illusions i recall.
I really don’t know life at all.
And feather canyons everywhere, i’ve looked at cloud that way.
But now they only block the sun, they rain and snow on everyone.
So many things i would have done but clouds got in my way.
I’ve looked at clouds from both sides now,
From up and down, and still somehow
It’s cloud illusions i recall.
I really don’t know clouds at all.
Moons and junes and ferris wheels, the dizzy dancing way you feel
As every fairy tale comes real; i’ve looked at love that way.
But now it’s just another show. you leave ‘em laughing when you go
And if you care, don’t let them know, don’t give yourself away.
I’ve looked at love from both sides now,
From give and take, and still somehow
It’s love’s illusions i recall.
I really don’t know love at all.
Tears and fears and feeling proud to say “i love you” right out loud,
Dreams and schemes and circus crowds, i’ve looked at life that way.
But now old friends are acting strange, they shake their heads, they say
I’ve changed.
Something’s lost but something’s gained in living every day.
I’ve looked at life from both sides now,
From win and lose, and still somehow
It’s life’s illusions i recall.
I really don’t know life at all.
Friday, October 29, 2010
ryan aoukar: how the industry works
as an interior designer
-know the minimum of everything
-its not about what we do but why we do it
square 1: The broker- real estate agent; know and befriend them
square 2:The architect- they knew the client before you did; its his building & design
- not just about design, know people
-designing the world for people; solving problems (function &needs)
square 3: variety of clients
-each client brings new ideas and new information to you
-the client lives the lifestyle with the biggest experience: you are helping the client build for her need and accomodations
-he is the main source of information
-the best interior designers know his subjects know your category well
-know your category well
i.e. chefs, medical workers
First Meeting:-> test fit: how many people & what are needs
- do it wherever; short time -know the space & landlord
-approval & meet face to face - help client pick his space, building standards and #
-you go to the client -1st thing you do per building looked at
-what is the identity of the project |
|
Planning:
-furniture standard
-what is needed
-know minimum measurements of tables ------->
Schematic design & design development:
-work with team and furniture dealer
-what kind of furniture is needed
-furniture manufacturer (makes furniture but doesn't sell it; has a furniture dealer sell it to you)
-building the model; model builder figures out the planning problems
-best way to figure out the space
<------------------------
Demolition phase
-work with contractor & general contractor: GC-manages project and hires everyone
CONSTRUCTION PLAN:
-GC or you contract partition to start construction( walling)
POWER AND DATA PLAN:
work with engineer
- internet connections, lighting switches & outlet placement
---------------------->
Reflected ceiling plan:
-design ceiling 1st and include in the plan the placement
-LIGHTING MANUFACTURER- different lighting and ambiances per client's need and accomodations
-lighting decides the atmosphere
finish plan:
-work with material & product designer- furniture, lighting, carpet
custom done: call manufacturer
-Artists can create space
- know every material in a deep way better than anyone
FURNITURE AND ACCESSORIES:
-furniture dealers and furniture makers
-furniture librarians can help you find and bring to life your ideas when you don't know where to find them
SIGNAGE:
-work with graphic designers; check in, out; bathrooms, directional
ART INSTALLMENT:
-galleries, art dealers, artists (wall murals, painters), photographer
Thursday, October 28, 2010
in my element
I spent an entire Saturday making new friends, exploring Chattanooga and basking in God's beauty that He calls nature. I sat and drew; I was in my element. I touched and experienced art work, architecture and leaves, grass, rough stone... I needed this: stress free, care free, my mind could wonder on nothing in particular. So I'm going to post pictures that were my favorite; photo credit to Monica Cota. Let's document the journey ;) xxx ek
Sewanee:
Chattanooga:
back to my Janet Fish use of materials:wood
childhood roots and stone slate flooring
use of different everyday materials
touching, experiencing art
let's go home
Wednesday, October 20, 2010
Interior Materials D.Matthews
It is just as disastrous to have the wrong accessories in your room as it is to wear sport shoes with an evening dress
- Dorothy Draper
integratedVSapplied
Applied: decorative objects, temporary, color, pattern & textures added
Integrated: structural materials, built into the space, space & form ; can be visual (appearance of structural) & structural
Integrated: structural materials, built into the space, space & form ; can be visual (appearance of structural) & structural
Dorothy Draper interior characteristics:
color, texture, & pattern
antique, traditional
temporary, decorative
feminine & stylistic
warm & inviting
---------------------------------------
Frank Lloyd Wright's fallingwaters
Frank Lloyd Wright's fallingwaters
vibrant colored rugs, textiles,
blankets, cushioned chairs
Integrated: stone chimney (structure),
slate flooring (connection to nature)
with the addition of color, pattern and textiles,
the flooring is subtle and not over powering
-------------------------------------------------
Applied:travel finds: masks, colors: warm environments, color of paints, rugs & textiles, sculpture figures
Integrated:ply wood (presented structural element as the element that we touch, feel and experience
thewhyquestion
- Born out of the Victorian Era & Birth of Modernism
- industrial revolution: mass production, furnishings became affordable
Everyone began running out and buying out of impulse which resulted in:
mis-application, chaotic put togethers
WRONG: many patterns together (wall paper, drapes, carpet & couch)- multi patterns are competeing with bold colors (reds and greens)
Home= self worth, society status & self- worth, importance
Adolf Loos: ornament and crime 1908; pseudo-classical decorations, do away with ornamentation
-used applied materials: paint
color, texture & pattern
areJUSTasIMPORTANTas
arts&craftsMOVEMENT APPLIED:
- call to handcrafted items STIGMAofwallpapers
-naturalistic, go back to nature -ANYTHING can be misapplied- decor,
-natural dyes wallpaper, structural materials
-SUSTAINABILITYideas: 100 years ago can be used to express culture
inspiration&ideas
canCOMEfromNATURE&ART
Casa Batillo
1904-1906
Gaudi
- water imagery, scales, light penetration through floors
and stairs all correspond with the ocean themes
-atmosphere of being underwater
-integrated and applied materials blur
-direct line to nature
-top levels: architectural; middle: blurs; bottom :
thematic of deep ocean, dark & fish bone architecture
Tuesday, October 19, 2010
I reserve the right to say I like it becasue it's pretty :D
I just want to take my coloring sticks to the walls
and let my reasoning be because I liked it. There
was no rhyme or reason behind it. It's pretty.
-xxx
I like this because...
It reminds me of The Last Supper by Leonardo Da Vinci. The painting is used in a monk's dining hall
where the painting engages with the people eating in the actual room, thus, making you part of the painting.
I like this because...
(Photo to the left:)
Purple is my favorite fall color.
Between the napkins, mosaic and purple wall paper,
the mix of neutrals gives it a balance and it's not too overwhelming.
I like this because...
I adore antique, free standing tubs.
It is absolutely elegant.
The rug ties in the neutral colors and
the splash of pink.
The pieces are arranged symmetrically.
eleganceeeee
I like this because...
the use of blue is dominant on the wall but tied into
the ottoman and blue wall panel next to it. With the use
of elegant lighting and neutral carpet and accesorizing furniture
the space is welcoming and not overwhelming :)
mix of modern and elegance
I like this one because it's pretty :)
Monday, October 18, 2010
sustainability: day 2
sustainability:
sustainable design:
design focusing on products and processes that protect the environment while conserving energy for future generations
popular: last 10 years; 1960's design started to change in terms of making solar homes, passive solar structure: orient house/ structure to gather natural light (heat for winter, trees create shade)
global energy usage: increases 70% between 2003-2030
major source of energy world wide: natural gas, oil, coal,
-bi-products: carbon footprint makes global warming
nuclear:
renewable resources: water, sunlight,
key terms of green design:
-green planet: recognize green product (what products produce concerns)
-energy star: energy efficient products, environmentally friendly when being disposed: windows, building products, appliances
US green building council: developed the leadership in energy and environmental design (LEAD design)
LIGHTING:
made ID's more important: control material specification;
lighting: compact florescent lighting, life cycle is more extensive (lower electric bill), doesn't create heat
florescent better than incandescent bulb
sustainability will work when it becomes more affordable
40% of the energy used in a building is lighting
have the ability to harvest indirect natural daylight (direct sunlight can be harmful)
-contain toxics and mercury
LED lights: light emitting diode
-produce colors; just now getting the white light as ambient general lighting
-better than florescent
CONTROLS: switch
daylight switching plans: lights would switch off when sunlight is coming in
FLOORING:
wood: can be reused, specify from the region- trucking cost from far away
linoleum: turpentine; more efficient
multi-functional spaces are the most efficient, as they are being used for many different purposes.
sustainable design:
design focusing on products and processes that protect the environment while conserving energy for future generations
popular: last 10 years; 1960's design started to change in terms of making solar homes, passive solar structure: orient house/ structure to gather natural light (heat for winter, trees create shade)
global energy usage: increases 70% between 2003-2030
major source of energy world wide: natural gas, oil, coal,
-bi-products: carbon footprint makes global warming
nuclear:
renewable resources: water, sunlight,
key terms of green design:
-green planet: recognize green product (what products produce concerns)
-energy star: energy efficient products, environmentally friendly when being disposed: windows, building products, appliances
US green building council: developed the leadership in energy and environmental design (LEAD design)
LIGHTING:
made ID's more important: control material specification;
lighting: compact florescent lighting, life cycle is more extensive (lower electric bill), doesn't create heat
florescent better than incandescent bulb
sustainability will work when it becomes more affordable
40% of the energy used in a building is lighting
have the ability to harvest indirect natural daylight (direct sunlight can be harmful)
-contain toxics and mercury
LED lights: light emitting diode
-produce colors; just now getting the white light as ambient general lighting
-better than florescent
CONTROLS: switch
daylight switching plans: lights would switch off when sunlight is coming in
FLOORING:
wood: can be reused, specify from the region- trucking cost from far away
linoleum: turpentine; more efficient
multi-functional spaces are the most efficient, as they are being used for many different purposes.
residential vs commerical
required from design of commercial, it makes residential easier to understand
more complex-less complicated
residential: home
commercial: multitude of different things
-health care: specialty; profitable: knish for interior designer; if you have a background understand clinical areas of healthcare
clinical areas of healthcare: operating rooms, waiting rooms, public areas, gift shops, cafe (dining), patient rooms: hospitality, entry: health heart,
-more healthcare construction than anything: good business
- too many healthcare; raises expenses: tax payers
-if you can get specialization in clinical areas; good niche: pharmacy: NEED TO KNOW WHAT GOES ON, LABORATORY: sub categories- micro bio, blood testing, segregated spaces within a lab and what the need is
ER, ICU: particularly specialized
heart CAD, lab suites…ect. specialized clinical areas
How do you get involved: worked for a company providing products; furniture company clinical products; design and utilize products
-hospitals doing little by little (renovations)
problems with healthcare design:
-healthcare facilities are the most abused environments
-24/7 operation center, materials must be durable- everything is used all the time
durability, clean-ability…ect
spaces being used 24/7
-airports
-hospitality (resorts, hotels…)
-some restaurant
-police stations, fire stations, jails
-hospitality:
boutique hotels: quiant, more specific to clientel
-restaurant:
specific: formal, modern, derive thru, fast food
many sub categories
within:
-kitchen design: extremely specialized- appliances (some one else)
designers: layout, flow, circulation
hospital cafeteria, resort,
-corporate:
law firms, headquarters, main offices, advertising agencies, business offices
need: waiting areas, offices, executive offices, partner offices- hierarchy structure, computer rooms, conference rooms, training rooms, reception area
-retail:
stores
-institutional:
schools, universities, school offices, gyms, arenas,
-ecclesiastical:
churches,
-government: GSA: general service administration
federal, specialized lowest discount
GSA pricing
theatre-smaller specialized
public:
museums- smaller specialized
--------------------------------------------------------
as a designer:
what services you provide and breakdowns:
-specified: all the space planning, design, finished selections, furniture package, lighting: then document & hand to client or others to be bid on, not a supplier, do the design work and get a fee for it: your work and design, track daily log of time- bill those clients for those hours for your specification work
-dealership: you provide certain lines of commercial furnishings, upholstery, window coverings: specify and point of purchase
* designers work for you, meet with client: layout, partition planning (sheet rock), they would be primarily responsible of FFandE: furniture, fixtures and equipment
module: make selections in finished schedules in documents, selling that to the user
- not as specific as specified: selling the product on mark up
-commercial design firm: have several lines of furniture,wall coverings…etc. reps will visit and show you product representing manufactures, pull from many different manufactures,
----------------------------------------------------------
modular: panels, cubicles, case goods-desks, desk chairs, guest seating :Systems Furniture
interior design definitions
define, dates established, primary purpose:
write official definition for an interior designer
ASID- american society of interior designers; ASID is a community of people driven by a common love for design and committed to the belief that interior design, as a service to people, is a powerful, multi-faceted profession that can positively change people's lives.
Through education, knowledge sharing, advocacy, community building and outreach, the Society strives to advance the interior design profession and, in the process, to demonstrate and celebrate the power of design to positively change people's lives
founded in 1975
oldest and largest leading professional organization for designers
(ASID.org)
NCIDQ: National Council for Interior Designer Qualification
-tests the protects public health, safety and welfare by identifying interior designers who have knowledge and experience to create interior spaces that are not just aesthetically pleasing but also function and safe
-independent and non-profit organization of state and provincial credentialing bodies
provides research and expertise that informs state and provincial licensing laws and regulations for ID profession
(NCIDQ.org)
IDEC: interior design educators council; to support the objectives of the IDEC and to advance the profession by supporting educational, research, and creative opportunities for educators and students. maintaining IDEC's leadership in the field of IDEC rests in part, on our ability to sustain a solid financial foundation
IDEC is to support the advancement of ID education and scholarship through the development, management, and distribution of resources
(idec.org)
CIDA: council for interior design accreditation; non-profit, independent organization for inter design education programs at colleges and universities in US and Canada
-ongoing enrichment of the ID profession through identifying, developing and promoting quality standards for the education of entry-level interior designers and then encouraging accrediting and supporting educational programs to aspire those standards
35 years old
(accredit-id.org)
IIDA: international interior design association; to create a strong niche for the most talented and visionary ID professionals, to elevate the profession to the level it warrants, and to lead the way for next generations designers and innovators
balance of passion for good design and strategy for the best business practices
founded in 1994
(iida.org)
AIA: american instate of architects; 1857; leading professional membership association for licensed architects emerging professionals, and allied partners
(aia.org)
-certification: get out, get experience take the NCIDQ
-what brings relevance to a design degree vs someone who has no degree but has taste (HGTV)
write official definition for an interior designer
ASID- american society of interior designers; ASID is a community of people driven by a common love for design and committed to the belief that interior design, as a service to people, is a powerful, multi-faceted profession that can positively change people's lives.
Through education, knowledge sharing, advocacy, community building and outreach, the Society strives to advance the interior design profession and, in the process, to demonstrate and celebrate the power of design to positively change people's lives
founded in 1975
oldest and largest leading professional organization for designers
(ASID.org)
NCIDQ: National Council for Interior Designer Qualification
-tests the protects public health, safety and welfare by identifying interior designers who have knowledge and experience to create interior spaces that are not just aesthetically pleasing but also function and safe
-independent and non-profit organization of state and provincial credentialing bodies
provides research and expertise that informs state and provincial licensing laws and regulations for ID profession
(NCIDQ.org)
IDEC: interior design educators council; to support the objectives of the IDEC and to advance the profession by supporting educational, research, and creative opportunities for educators and students. maintaining IDEC's leadership in the field of IDEC rests in part, on our ability to sustain a solid financial foundation
IDEC is to support the advancement of ID education and scholarship through the development, management, and distribution of resources
(idec.org)
CIDA: council for interior design accreditation; non-profit, independent organization for inter design education programs at colleges and universities in US and Canada
-ongoing enrichment of the ID profession through identifying, developing and promoting quality standards for the education of entry-level interior designers and then encouraging accrediting and supporting educational programs to aspire those standards
35 years old
(accredit-id.org)
IIDA: international interior design association; to create a strong niche for the most talented and visionary ID professionals, to elevate the profession to the level it warrants, and to lead the way for next generations designers and innovators
balance of passion for good design and strategy for the best business practices
founded in 1994
(iida.org)
AIA: american instate of architects; 1857; leading professional membership association for licensed architects emerging professionals, and allied partners
(aia.org)
-certification: get out, get experience take the NCIDQ
-what brings relevance to a design degree vs someone who has no degree but has taste (HGTV)
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